MAN

Man is an expansion of gender and language, a journey of physical transformation through the wilderness of pregnancy echoed by the sole remaining recording of Virginia Woolf’s voice. Bookended by a series of self-portraits where the filmmaker is satirising her own use of particular attire, generally read as masculine, becoming revelatory when posed in the context of the pregnant body. For a decade Borg has been exploring the semantics of visual language in her work, experimented with form to push content beyond the limits of established thought. She uses the deconstruction of language to dismantle other systems – may they be political, sexual, economic or cultural.

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