The third chapter in a triptych, depicting the filmmaker’s mental journey through memories and confrontations with the implications of being displaced takes him to different spaces across continents and times in Afghanistan, Iran, Turkey, France, and the Netherlands. Through montage as a method of investigation and the narrator’s confessional voice, a cinematic space is constructed out of fragments and reflections, a zero space wherein re-living the past and meeting with your dear ones is a way to challenge the present.